One
of the great regular articles from the old Dragon
magazine was its "The Ecology of the..." series. This took
creatures from Monster Manual
I and II and the Fiend Folio
and explained their origins, habitats and activities in much greater
detail, providing ways to incorporate them in a campaign setting.
Inspired by this, presented here is a similar take on the merfolk
known as onijegi.
-Nate
The Ecology of the
Onijegi
This
article expands on the description of these creatures presented in
the Skull & Bones
rulebook.
Origin
Story
The first appearance of the onijegi is explained in a traditional
Yoruba tale. According to it, a young woman once pledged to marry the
most handsome man in the world. Just such a fellow she met one day in
the marketplace. He explained, however, that he actually came from
the river Idunmaibo; he was fish, but had been granted the power to
take on human form. Nevertheless, the young woman insisted that they
be married, and he assented. They agreed to meet occasionally at
Idunmaibo whenever she sang a song to summon him, where she would
bring him foodstuffs and he would bring her gifts from the sea.
They continued in this way for some time, until it was that the
woman's family insisted on her taking a husband. After all, they did
not know of her marriage to the fish-man. When she explained that she
was already married, they were outraged. One of her brothers followed
her to the river during her usual meeting with her husband. In this
way he learned the magic song and, returning without her, used it to
summon the fish-man. The brother then stabbed him to death. Some time
later she attempted to call him as usual, but he did not reply, and
she recognized what had happened. In her passionate grief she threw
herself into the river, but instead of dying she was turned into the
very first onijegi.
Onijegi
in the New World
At some point, of course, the onijegi travelled from Africa to the
Caribbean. Perhaps some of them followed the slave ships that made
this run with their living cargo; after all, it is commonly believed
that onijegi sometimes fall in love with humans, and if one such were
then captured and taken as a slave, the merfolk lover might follow
the ship and captive to their destination. Some might argue that the
length of such a journey is impossibly daunting, but one cannot argue
against the fact that the onijegi are to be found in the New World.
The most common dwelling place for onijegi is one with plenty of
reefs, where they can find shelter from storms and possible enemies.
Some prefer small, individual domiciles, while others band together
and occupy sprawling complexes of tunnels and caverns. Whatever the
case, these are generally in shallow water. Refer to the appropriate
map for an example of one such structure.
1. Entry
The entrance to the tunnels and chamber in this coral reef lies at
the bottom of the sea. More trusting onijegi leave it open to any
potential visitors, while those who value their privacy cultivate a
bed of kelp in front of it so as to provide concealment from prying
eyes. Additionally, those who have access to such things sometimes
afix a barred gate in this narrow passage so as to keep unwanted
guests from entering.
2. Passageways
The second line of defense for the lair is the maze of twisting
passageways--all filled with water, of course--that eventually lead
to the main chamber. While the onijegi know the correct path, and can
don't need to worry about the lack of oxygen, it serves to disorient
and delay intruders. What is more, the onijegi sometimes arrange for
unpleasant surprises to be found here, such as sharks, squids or
aggressive crabs.
3. Common Area
The onijegi are a highly communal, open kind of people--at least
among themselves. To that end, the common area of the lair is not
divided into private quarters or similar chambers, but instead is one
large space. Small vents provide an inflow of new water, along with
sunlight during the daytime. In the lairs of those onijegi who are
open to contact with outsiders, this area sometimes has a pocket of
air close to the ceiling that allows them to breathe while visiting.
It is here that they spend much of their downtime, sharing meals
along with stories and other entertainments.
Onijegi dwellings are usually located close to reliable sources of
food, usually large beds of kelp. The merfolk supplement this with
some meat taken from hunting. Note that they only hunt singly so as
to give their prey a fighting chance, out of respect to these sea
creatures. Onijegi use coral or stone for making their knives and
spearpoints, and weave nets out of seaweed. Coral is also a source of
personal decoration for them, as are the pearls that they sometimes
harvest.
Indeed, it is the desire for shiny baubles, along with the merfolk's
love of storytelling, that sometimes brings them into contact with
land dwellers. Given their love of tales, occasional eavesdropping on
sailors and others who live by the sea provides them with a wealth of
new material. In the same way, onijegi sometimes trade goods from the
sea, such as pearls or recovered treasure, for items such as mirrors,
steel weapons and other manufactured goods. As mentioned above, this
contact also can lead to merfolk becoming infatuated with land
dwellers, leading to a relationship that usually brings conflict of
some kind.
Connections
to Other Aquatic Humanoids
Given their resemblance to other creatures who dwell in the sea,
those who know about the existence of the onijegi sometimes speculate
that they could all be related to one another. While it is not known
how these distinct groups have come to be, it is clear that there are
important differences between them.
The sea monks, most people believe, are onijegi who were inspired by
the teachings of early Christian missionaries and have now
established a monastic order dedicated to them. Ostensibly this
should create a conflict, given that the sea monks are generally a
pacifistic punch. The fact that they have adopted Christianity,
however--as opposed to the traditional onijegi belief in such
half-fish divine beings as the West African Mami Wata--is sure to
bring some kind of strife as both sides try to win the hearts and
minds of the faithful.
Whereas sea monks are lawful, and onijegi are chaotic but good in
their outlook on life, the sirens are a cold and uncaring bunch.
Their aptitude for leading sailors to their doom shows a calous
disregard for other living things, something that pits them against
onijegi. It is known that they've practiced such deeds for many
centuries, given that they were reported in the time of Odysseus and
the Trojan War, but it is not known why they have such a
dispassionate outlook.
Throughout
the world there are many variations on the story of the onijegi,
sometimes in the oceans and sometimes in the rivers. These include
the merrow
of Scotland and Ireland, the Japanese ningyo,
the German Rhine maidens, and many others. Additionally, the
resemblance of such legendary figures as the Babylonian Oannes as
well as Fu Xi and Nuwa of China--all of whom are reputed to have
brought wisdom and civilization to their respective lands--hint that
the merfolk could have an even older and more influential culture.
Some
mariners consider merfolk to be wicked creatures of ill omen. This is
likely because, although most onijegi are kind, there are exceptions.
It is those evil individuals whose misdeeds lead to such
superstitious beliefs.
Onijegi
Characters
Detailed here are some typical onijegi characters who play
specialized roles withing that society.
Onijegi Hunter
Ranger 1; CR 1; Size medium; HD 1d8+2;
hp 10; Init +3 (+3 Dex); Spd 5 ft., swim 50 ft.; AC 15 (+3 Dex, +2
armor); Atk +2 (1d8+1, trident) or +4 (net); SQ Low-light vision,
spelllike abilities, 1st favored enemy (animal), Track, wild empathy;
AL CG; SV: Fort +4, Ref +5, Will +2; Str 13, Dex 16, Con 14, Int 10,
Wis 14, Cha 10.
Background: NA.
Skills: Handle Animal +2, Heal +4,
Hide +7, Listen +4, Move Silently +7, Spot +4, Survival +6, Swim +3.
Feats: Dodge, Track.
Fortunes: None.
Equipment: Trident, net, dagger,
sharkskin (leather) armor.
Onijegi Hunter Sergeant
Ranger 3; CR 3; Size medium; HD 3d8+6;
hp 23; Init +3 (+3 Dex); Spd 5 ft., swim 50 ft.; AC 15 (+3 Dex, +2
armor); Atk +4 (1d8+1, trident) or +2/+2 (1d4 +1, two daggers) or +6
(net); SQ Low-light vision, spelllike abilities, 1st favored enemy
(animal), Track, wild empathy, combat style (two-weapon fighting),
Endurance; AL CG; SV: Fort +5, Ref +6, Will +3; Str 13, Dex 16, Con
14, Int 10, Wis 14, Cha 10.
Background: NA.
Skills: Handle Animal +4, Heal +6,
Hide +9, Listen +6, Move Silently +9, Spot +6, Survival +8, Swim +5.
Feats: Dodge, Endurance, Mobility,
Track, Two-Weapon Fighting.
Fortunes: None.
Equipment:
Trident, net, two daggers, sharkskin (leather) armor.
Onijegi Hunter Lieutenant
Ranger 7; CR 7; Size medium; HD 7d8+14;
hp 49; Init +3 (+3 Dex); Spd 5 ft., swim 50 ft.; AC 15 (+3 Dex, +2
armor); Atk +9/+4 (1d8+2, trident) or +8/+8/+2/+2 (1d4 +2, two
daggers) or +10/+5 (net); SQ Low-light vision, spelllike abilities,
1st favored enemy (animal), Track, wild empathy, combat style
(two-weapon fighting), Endurance, animal companion, improved combat
style, woodland stride; AL CG; SV: Fort +7, Ref +8, Will +4; Str 14,
Dex 16, Con 14, Int 10, Wis 14, Cha 10.
Background: NA.
Skills: Handle Animal +6, Heal +10,
Hide +13, Listen +8, Move Silently +13, Spot +8, Survival +12, Swim
+8.
Feats: Dodge, Endurance, Improved
Two-Weapon Fighting, Leaping Attack, Mobility, Track, Two-Weapon
Fighting.
Fortunes: None.
Equipment:
Trident, net, two daggers, sharkskin (leather) armor.
The onijegi hunters are individuals to be respected, both for their
prowess in combat and for their sense of honor. They only hunt
animals singly, to give them a fighting chance; the exception to this
is grave threats to the community, such as if a dreaded timingila
began prowling in their territory. All of them are proficient with
the trident and net. More experienced sergeants also learn to fight
with a pair of daggers, allowing them to strike a foe numerous times.
Finally, the lieutenants--who often are leaders of their
communities--master the ability to leap from the water and attack
foes on land or in boats.
Porpoise
(Animal Companion)
Medium
Animal
Hit
Dice: 4d8+4 (22 hp)
Initiative:
+4
Speed:
Swim 80 ft. (16 squares)
Armor
Class: 18 (+4 Dex, +4 natural),
touch 14, flat-footed 14
Base
Attack/Grapple: +3/+3
Attack:
Slam +5 melee (2d4+1)
Full
Attack: Slam +5 melee (2d4+1)
Space/Reach:
5 ft./5 ft.
Special
Attacks: —
Special
Qualities: Blindsight 120 ft.,
hold breath, low-light vision, link, Evasion
Saves:
Fort +4, Ref +7, Will +1
Abilities:
Str 12, Dex 18, Con 13, Int 2,
Wis 12, Cha 6
Skills:
Listen +8*, Spot +7*, Swim +9
Feats:
Evasion, Weapon Finesse
Environment:
Temperate aquatic
Organization:
Solitary
Challenge
Rating: 2
Onijegi Storyteller (such as Arukuma the
Wanderer)
Bard 5; CR 5; Size medium; HD 5d6+5; hp
25; Init +3 (+3 Dex); Spd 5 ft., swim 50 ft.; AC 13 (+3 Dex); Atk +4
(1d4+1, dagger) or +6 ranged; SQ low-light vision, bardic music,
bardic knowledge, countersong, fascinate, inspire courage +1, inspire
competence; AL CG; SV: Fort +2, Ref +7, Will +3; Str 12, Dex 16, Con
12, Int 13, Wis 8, Cha 18.
Background: NA.
Skills: Diplomacy +12, Escape Artist
+11, Hide +11, Gather Information +12, Move Silently +11, Perform
(singing) +15, Tumble +11.
Feats: Dodge, Skill Focus (Perform:
singing).
Fortunes: None.
Equipment: None.
Spells Known: Daze, detect magic, know
direction, message, read magic, resistance; charm person, hypnotism,
identify, sleep; daze monster, enthrall, suggestion.
Spells per Day: 3/4/2.
The storytellers among the onijegi are perhaps the most adventurous
of them all. Given their penchant for learning new stories, they are
the most likely to travel close to human and other settlements. It is
these who occasionally meet and fall in love with non-onijegi,
something that always brings drama of some kind to both parties.
New Relic: Song
of Onijegi Summoning
This
song, which is a closely guarded secret among the onijegi and the
rare outsiders whom they entrust to learn it, can be used to call the
nearest of these merfolk to the one who sings it. It can only be used once per month, and doesn't necessarily give the singer any influence or control over the onijegi who responds to it. The song is usually passed along by teaching it orally; a written copy of it would be rare and valuable indeed.
Using the
Onijegi in a Skull & Bones Campaign
The onijegi can connect to all kinds of adventure in the Caribbean or
elsewhere; detailed here are just a few of the possibilities.
Sunken ships and lost treasures are a tremendous resource for the
onijegi. As such, they can use the location of a wreck as a reward
for services performed, or as an enticement for those who have
something they want.
Romance and marriage are always a possibility when a storyteller is
involved. This is especially likely if the character in question is
highly charismatic and has tales of bravery and love to tell.
Should some kind of tremendous threat arrive in their territory, the
onijegi might need to seek outside help to deal with it.
Were a siren to gain command of a band of onijegi, she could begin
using them to attack unwary ships or boats.
In that event, it could become necessary to raid the creatures' lair
in order to rescue a hostage or recover stolen valuables.
