Welcome to the Party

Last weekend I had the opportunity to run some Pathfinder Freeport scenarios at Con of the North. Since they might be useful, I'll post the pre-generated characters here. In the past, when I've run games, I've given the players character sheets, but left it to them to decide upon their characters' names, personality traits and background information. This time around I provided those details, and I think it helped facilitate roleplaying and character interaction.

Here's a link to a PDF for these characters.

Pre-Generated Characters

Additionally, I should mention that these characters are based upon drawings by Claudio Pozas, as can be see here.

Claudio Pozas Pirates

-Nate

Horace

Although there is no specific rank and file among this band of adventurers, Horace is the one who gives orders while aboard ship. After all, he is an experienced and competent sailor, and he knows the water around Freeport better than most people known the insides of their own homes. He is also a skilled combatant, having honed his abilities with cutlass and pistol during numerous voyages. This corsair is just as comfortable in a tavern brawl on land as he is resisting a boarding action on the deck of a ship at sea. It should also be noted that he is inordinately vane when it comes to his moustache.

As far as other characters are concerned, Horace is a brother in arms with Uriel. Despite the fact that some Freeporters look down on the half-orc, Horace has fought back-to-back with Uriel on many occasions and has come to trust the barbarian's prowess and raw strength. Similarly, he views Konrad as a kindred spirit. Although it is unusual for a dwarf to worship Harrimast, Horace and Konrad share a love of the sea and thus have a common bond. The sorceress, Lucinda, is an enigma for him. She is beautiful and exotic, certainly, but she has also demonstrated her grit and wile in battle. Finally, while Horace doesn't always approve of Maximillian's tactics, the halfling has shown himself to be more than useful in situations that require stealth and guile instead of swashbuckling and swagger.

Horace

CR 2

XP NA

Male human fighter 3

CG Medium humanoid

Init +2; Senses Perception +2

DEFENSE

AC 15, touch 13, flat-footed 12 (+2 Dex, +2 armor, +1 Dodge)

hp 27 (3d10+6)

Fort +5, Ref +3, Will +3

Resist None

OFFENSE

Spd 30 ft.

Melee Masterwork cutlass +7 (1d6+3)

Ranged Stinger FP +5 (3d6)

Special Attacks None

STATISTICS

Str 16, Dex 14, Con 14, Int 10, Wis 14, Cha 10

Base Atk +3; CMB +6; CMD 18

Feats Dodge, Improved Dodge, Point Blank Shot, Precise Shot, Weapon Focus (cutlass)

Skills Climb +9, Profession (sailor) +8, Swim +9

Languages Common

SQ None

Combat Gear Leather armor, masterwork cutlass, 2xStinger FP pistols, ammunition, 2 pouches; 23 pp, 15 gp, 10 sp

Uriel

Life in Freeport can be hard for a half-orc. After all, most "humanoids"--a term which Uriel finds objectionable--are consigned to living in the Bloodsalt district. What is more, in the aftermath of a barbarian invasion and rioting among the orcs, an individual who combines both elements is often regarded with distrust if not outright hostility. Even so, Uriel works to establish his reputation as a man of honor and a skilled combatant. While he has had success in accomplishing the latter, the prior has proven more difficult.

The barbarian is respected by his companions, if perhaps somewhat begrudgingly by Konrad. He and Horace are brothers in arms, and the half-orc has grown to appreciate the daring of the halfling Maximillian. Uriel is intrigued by Lucinda, given that she is of mixed races like he is, and--if the truth should be revealed--he is a little bit smitten with her.

It should come as no surprise that the barbarian is quite skilled in combat. His prodigious strength and his sense for natural surroundings also make him useful aboard a ship, even if it is hard for him to live in the tight spaces belowdecks.

Uriel

CR 2

XP NA

Male half-orc barbarian 2

CG Medium humanoid (orc)

Init +0; Senses Perception +8 (Darkvision 60 ft.)

DEFENSE

AC 14, touch 10, flat-footed 14 (+4 armor)

hp 31 (3d12+6)

Fort +5, Ref +1, Will +3

Resist None

OFFENSE

Spd 40 ft.

Melee Masterwork greatsword +8 (2d6+6)

Ranged Longbow +3 (1d8)

Special Attacks Power Attack, Cleave

STATISTICS

Str 18, Dex 10, Con 14, Int 10, Wis 14, Cha 10

Base Atk +3; CMB +7; CMD 17

Feats Cleave, Power Attack

Skills Climb +10, Perception +8, Swim +10

Languages Orcish, Common

SQ Orc Blood, Orc Ferocity

Combat Gear Chain shirt, masterwork greatsword, longbow, 20 arrows, 2 pouches; 24 pp, 12 gp, 10 sp

Maximillian

Others tend to underestimate Maximillian because of his size, but they soon learn better. After all, the halfling possesses a reckless sense of courage and has enough speed to carry himself out of many dangerous situations. Of course, there are also times when his lack of caution requires a little outside help to remedy; happily for him, his skills in finding and eliminating traps, along with sneaking up on enemies, make him an indispensable member of the party--so Horace and Uriel don't grumble too much when they have to step in and save him.

People don't know too much about this rogue. His companions have learned that he was orphaned at a young age, and thus had to learn to fend for himself on the streets of Freeport. It was during those difficult times that Maximillian first developed a need to prove himself in the eyes of others--a compulsion that he still has to this day. He is learning to trust his fellow adventurers, however, and is coming to recognize that sometimes discretion is the better part of valor. When a deadly foe threatens his friends, however--or when there is a valuable prize to be won--he is the first to rush into harm's way.

Maximillian

CR 2

XP NA

Male halfling rogue 3

CG small humanoid

Init +4; Senses Perception +8 (Low-light vision 60 ft.)

DEFENSE

AC 18, touch 16, flat-footed 12 (+4 Dex, +2 armor, +1 size, +1 Dodge)

hp 17 (3d8)

Fort +2, Ref +8, Will +2

Resist None

OFFENSE

Spd 20 ft.

Melee Masterwork rapier +7 (1d4)

Ranged Shortbow +6 (1d4)

Special Attacks Sneak Attack

STATISTICS

Str 11, Dex 18, Con 10, Int 14, Wis 10, Cha 14

Base Atk +2; CMB +3; CMD 17

Feats Dodge, Weapon Finesse

Skills Acrobatics +12, Bluff +8, Climb +8, Disable Device, +10, Disguise +8, Escape Artist +10, Knowledge (local) +8, Perception +8, Sleight of Hand +10, Stealth +10

Languages Halfling, Common

SQ Fearless, Halfling Luck, Keen Senses, Sure-Footed

Combat Gear Leather aror, mastework rapier, shortbow, 20 arrows, masterwork thieves' tools, 2 pouches; 30 pp, 17 gp, 10 sp

Konrad

Few mainlanders would expect to see a dwarf serving aboard a ship. They've probably never met Konrad son of Kasimir, a loyal cleric of Harrimast. He, like his father before him, has sworn to serve the God of Pirates. In this way he is gregarious and outgoing among manners, always amicable to sharing drinks and food with others. All the while he preaches the benefits of the buccaneering life: fellowship, plunder and freedom.

This is not to say that the dwarf is bloodthirsty, however. Indeed, he seeks to take only from those who hoard wealth for themselves, and give it to those who are in need. He can be somewhat loose with his interpretation of need, though. Woe be it to any undead, demons or other such unholy things who cross his path, for he is a tireless foe for such monsters.

Konrad is just as quick to join a fight as he is a round of drinking or singing, almost as much as Uriel or Horace. The dwarf is fast friends with the human pirate, and the respect he is developing for the half-orc is slowly overcoming the prejudice that many of their kinds have for each other.

Konrad

CR 2

XP NA

Male dwarf cleric 3

NG Medium humanoid

Init +); Senses Perception +4 (Darkvision to 60 ft.)

DEFENSE

AC 14, touch 10, flat-footed 14 (+4 armor)

hp 23 (3d8+6)

Fort +5, Ref +1, Will +7

Resist Details

OFFENSE

Spd 20 ft.

Melee Masterwork heavy flail +4 (1d10+1)

Ranged Heavy crossbow +2 (1d10)

Special Attacks None

Domain Spell-Like Abilities (CL 3rd):

Agile Feet, Icicle

Spells Prepared (CL 3rd):

0th--Detect magic, guidance, resistance, virtue; 1st--bless, divine favor, obscuring mist; hold person, shield other, spiritual weapon (4/3+1/2+1)

STATISTICS

Str 12, Dex 10, Con 14, Int 10, Wis 18, Cha 12

Base Atk +2; CMB +3; CMD 13

Feats Combat Casting, Extra Channel

Skills Heal +10, Knowledge (religion) +6

Languages Dwarvish, Common

SQ Channel Energy 2d6, Defensive Training, Greed, Hatred, Hardy, Stability, Stonecunning

Combat Gear Chain shirt, masterwork heavy flail, silver holy sumbol, healer's kit, 2 belt pouches, heavy crossbow, 10 bolts

Lucinda

Life at sea is often considered to be a man's world. What is more, it is frequently a world in which brawn and physical toughness are considered to be the most important of a person's attributes. For those reasons, it would be easy to underestimate the value of Lucinda to her crew. Enemies should only do so at their own risk.

For one thing, the half-elf is a skilled sorceress. While not as practiced in the arcane arts as some, she is crafty enough to use her spells to aid her companions. She can charm a member of the city watch or leave a group of enemy pirates sleeping peacefully. The half-elf is a good in a fight, too, unleashing fire and other surprises upon unsuspecting foes.

What Lucinda has only shared with a select few is the fact that somewhere in her pedigree is the blood of a bronze dragon. Although she enjoys the excitement and challenge of adventuring, the sorceress hopes one day to learn more about her magical inhertiance, and perhaps even to meet the creature from whom she is descended.

Lucinda

CR 2

XP NA

Female half-elf sorcerer 3

NG Medium humanoid

Init +2; Senses Perception +0

DEFENSE

AC 12, touch 12, flat-footed 10 (+2 Dex)

hp 13 (3d6)

Fort +1, Ref +3, Will +3

Resist None

OFFENSE

Spd 30 ft.

Melee Heavy mace +1 (1d8)

Ranged Light crossbow +3 (1d8)

Special Attacks None

Spells Known (CL 3rd):

0th--Daze, detect magic, prestidigitation, read magic, resistance; 1st--shield, shocking grasp, sleep

Bloodline Draconic

STATISTICS

Str 10, Dex 14, Con 10, Int 12, Wis 10, Cha 19

Base Atk +1; CMB +1; CMD 13

Feats Point Blank Shot, Spell Focus

Skills Knowledge (arcana) +7, Spellcraft +7, Use Magic Device +10

Languages Elvish, Common, Draconic

SQ Elf blood, elven immunities, keen senses, multitalented

Combat Gear Heavy mace, light crosswob, 10 bolts, potion of eagle's splendor, potion of cat's grace, 2 pouches

Two Lists

While working on other projects, I've come up with a couple of lists. The first presents texts that would be familiar to a shantyman during the Golden Age of Piracy; as an English teacher, I'm interested in what such a character would be reading and possibly reciting. Second is an encounter table, one that I'll continue to update.

-Nate

The Shantyman's Repertoire

Detailed here is a list of texts that would have been available to a shantyman, along with the names of their authors and the years in which they were written. This list is by no means comprehensive, but it should provide a good idea of which texts were well known during the Golden Age of Piracy and how old each of them was at that time.

1719--Robinson Crusoe by Daniel Defoe

1693--Wonders of the Invisible World by Cotton Mather

1685--Shakespeare's Fourth Folio

1684--The Pilgrim's Progress by John Bunyan

1684--History of the Buccaneers of America by Alexander Esquemeling

1671--Paradise Regained by John Milton

1667--Paradise Lost by John Milton

1663--Shakespeare's Third Folio

1644--The Seaman's Dictionary by Sir Henry Manwayring

1632--Shakespeare's Second Folio

1623--Shakespeare's First Folio

1615--Don Quixote by Miguel de Cervantes

1615--The Oddysey translated by George Chapman

1611--King James Bible

1596--The Faerie Queene by Edmund Spenser

1588--Doctor Faustus by Christopher Marlowe

1570--The Moral Fables of Aesop translated by Robert Henryson

1563--Book of Martyrs by John Foxe

1477--Canterbury Tales by Geoffrey Chaucer

1472--The Divine Comedy by Dante Alighieri

1147--Historia regum Brittaniae by Geoffrey of Monmouth

1100--Chanson de Roland

1050--The Mabinogion

1000--Beowulf

900--The Thousand Nights and a Night

Nautical Encounter Table

Detailed here is a list of creatures and other enemies based on challenge rating. As always, the GM can modify the difficulty of opponents by having the PC's fight more of them, applying templates such as greater zombie, increasing size, adding hit dice, or by giving intelligent enemies additional levels in character classes (this is appopriate for any creature with a class and level listed below). What is more, human characters can be added to the list based on their character levels.

CR--Encounter 1/2--Amazon (warrior 1), Jenny Hanniver, porpoise, small viper snake, troglodyte (warrior 1), simple zombie 1--Cynocephali, hairy wild man, hyena (wild dog), manta ray, sea monk (monk 1), octopus, onijegi (warrior 1), pygmy (warrior 1), medium shark, spider swarm, squid, wolf 2--Ape, bat swarm, black bear, blemmyae, boar, cheetah, crocodile, giant tree frog, leopard, monitor lizard, rat swarm, large shark, constrictor snake, large viper snake 3--Dire ape, dire wolf, lion, huge viper snake 4--Brown bear, polar bear, dire boar, rhinoceros, huge shark, siren, tiger 5--Dire lion, orca, giant constrictor snake 6--Baleen whale 7--Cachalot whale, dire bear, elephant, island giant 8--Dire tiger, giant octopus 9--Dire shark, roc

The Puzzle 2 (and Other Stuff)

In addition to presenting a new interlude, I want to mention that the website Under the Black Flag has been revised. Among the features on it are links to four full-length old pirate movies online.

Start the Plunder

-Nate

Interlude 54: The Puzzle 2

A previous interlude presented a cryptic puzzle, one that they could decipher by visiting the grave of Lady Rose. Upon doing so, they were steered toward Rose Point on the island of Martinique. This interlude can occur as they pursue that lead.

Searching Rose Point

Ultimately, the PC's need to succeed at a DC 20 Search or Spot check to notice that, at low tide, an exposed boulder amidst a tumble of such rocks is engraved with a small image depicting a stylized five-petaled flower. That is, of course, a rose. Behind the boulder, a narrow tunnel leads back into darkness. Of course, the GM might wish to throw one or more encounters at the PC's while they are searching; refer to the appropriate tables for suggestion.

The Cache

Refer to the appropriate map for the following location descriptions.

1. Boulders

This tumble of rocks counts as difficult terrain when moving across it, unless a character succeeds at a DC 15 Tumble check to jump from boulder to boulder. Failing such a check by five or more means that a character trips and falls prone. As mentioned above, one boulder is engraved with the symbol of a rose. What is more, anyone who enters the area attracts the attention of a local beast. (Here again, refer to the appropriate table for suggested foes.)

2. Tunnel

This tunnel is about five feet wide and of a similar height. It leads upward at a considerable slope, up to a point above the high tide mark.

3. Mechanism

This round room has been built up with a flagstoned floor and walls, and timbers support the ceiling. In the middle of it is a broad circular stone similar to a millstone, lying on the floor, with an axle in the middle and a handle for turning it. What is more, four levers are arranged in front of it, with slots which clearly show that they are pulled toward the wall opposite the entrance. Finally, a DC 10 Search or Spot check reveals that a door is concealed in that same wall.

In order to open the door, the PC's must turn the stone in the correct direction for the letters that spell R - O - S - E, in that order, pulling one lever (from left to right) for each. The correct sequence opens the secret door, while any incorrect attempt triggers a trap. In theory the PC's could just set off a powder keg against the secret door to blow it open, but--at the GM's discretion--this could damage some of the treasure, or even trigger a cave-in.

The traps hurl javelins at the person who pulled the lever. Javelin Trap: CR 2; mechanical; location trigger; manual reset; Atk +16 ranged (1d6+4, javelin); Search DC 20; Disable Device DC 18.

4. Vault

Beyond the secret door is a cubical chamber with a raised platform at the far end. On the platform sit two treasure chests. The GM should tailor their contents to fit the wants and needs of the party, along with the levels of the PC's and the difficulties that they have faced in recovering it.

First Episode of Black Sails Online?

For those who've been anticipating the new Starz series Black Sails, it seems that the first episode is available online. I've been attempting to watch it, but I receive an error message after a few minutes of watching. I'm going to keep trying.

-Nate

Black Sails


My second effort has proven successful. This time I went to the website directly (instead of via the Facebook link) and watched the first episode. Here are some thoughts.

1. The episode started well, with a pirate attack on a merchant vessel. I don't want to give away any important details, but beginning with this kind of action was a great way to capture interest.

2. This show is pretty. When I watch TV, I want to see things that are different from the real world in the here and now. This show delivers that in spades, with gorgeous landscapes and backdrops and characters that conjure the world of 1715.

3. This show is R-rated. (To be more precise, it is TV MA.) I'm not accustomed to shows that can be so direct about sex and violence, and this show has plenty of both.

4. These characters aren't heroes. They are pirates. They are motivated by profit and pleasure, which is realistic. That makes it a bit hard to stomach at times, but it's fun watching.

5. There's plenty of drama, most of which is only introduced and remains unresolved. Naturally, I'm eager to see what happens next.

Ritual Magic

Here's a post that can apply to both D&D 3e/Skull & Bones and Pathfinder--a system for using ritual magic in a campaign.

Ritual Magic

According to the core rules for Dungeons & Dragons 3rd Edition and its derivatives, casting spells is an individual process. A single spellcaster works by oneself to complete the necessary incantation and gesture, and provides any required materials to trigger the desired effect. While that system works very well for the types of adventures one normally experiences in a high-fantasy setting, it can also be interesting to make spellcasting into more of a group activity. This can also allow multiple lower-level characters to unleash spells that would normally beyond their capacity.

Basic Mechanics

In essence, using ritual magic allows characters to apply the bonuses of metamagic feats to spells based on the number of additional characters who contribute to them. To do so, one character--usually the highest-level caster present--is designated as the primary caster. The spell, using that character's level, is the base effect. Additional characters can contribute the bonuses of metamagic feats, based on the number of caster levels they add to the mix.

Levels / Effective Level Increase

2 / +1 spell level

4 / +2 spell levels

6 / +3 spell levels

8 / +4 spell levels

For example, a siren sorceress mistress (level 6) is being assisted by her apprentice (level 4) and eight neophytes (each level 1). The mistress is, of course, the primary caster. She decides to create a major image with which to mislead some passing sailors. Ordinarily, the DC for that spell would be 13 + her Charisma modifier; it would have a range of 640 feet, and an area of effect equal to ten 10-foot cubes. With the assitance of her fellows, however, she could add the following effects:

• Enlarge Spell (+1 effective level; increase range to 1280 feet)
• Widen Spell (+3 effective levels; area of effect increases to twenty 10-foot cubes)
• Heighten Spell (+2 effective levels; increase DC to resist the spell to 15 + caster's Charisma bonus)

This combination can be especially useful for wicked spellcasters who are summoning extaplanar creatures or who are creating undead monsters.

Limitations

Note that all characters who contribute must have at least one level in a spell-casting class, and all of those who work together use only the levels that they share in a single class. Furthermore, spells which require concentration are automatically disrupted if even one of the contributing characters is incapacitated. The characters who are involved must be in physical contact with each other, such as in a circle together. Finally, the casting times for spells increases during ritual castings.

Normal / Ritual

Swift / Standard action

Move / Full-round action

Standard / Full-round action

Full-Round / Two rounds

Longer / Casting time is doubled

Out of the Blue

This post marks a new direction for the D20 Pirates blog. It's not so much a change of course, however,  as it is a broadening of horizons. For four years I've focused on a historical setting using the Dungeons & Dragons 3rd Edition ruleset and the Skull & Bones campaign guide. What I want to do now is to start including more traditional fantasy material with a nautical theme. I'll still be posting pieces related to the Come Hell and High Water series, including the finale for that story arc. Additionally, I'll include material that uses the Pathfinder ruleset.

Here's why. More than thirteen years ago, when I attended Gen Con for the release of D&D 3E in 2000, one of the first third-party products available was the adventure Death in Freeport from Green Ronin Publishing. I bought it to have an adventure for the new system, and quickly developed a love for the setting. That was what eventually led me to my interest in historical piracy. Since then, as I've worked on this blog, I've also had some ideas for articles and adventures related to nautical high fantasy in general and Freeport in particular. I want to begin including that material. For that reason, my first post of 2014 is a short story, along with seven new spells for use with Pathfinder.

Happy New Year to all; I'm excited to see where this leads.

-Nate

Out of the Blue

"This is a regular pea soup fog, if I've ever seen one." Maximillian was perched in the bow of the sloop Endeavor, hand held over his eyes, peering ahead into the gloom.

Konrad stood beside him; he'd already given up on trying to see anything. The dwarf grinned, shaking his head. "I've had your pea soup, and it ain't this thick. Of course, I wouldn't say there's anything regular about your cooking."

The halfling shrugged, keeping his eyes forward. "I make do with what we have."

Konrad considered that and then nodded. "That you do, lad; that you do." A moment passed. "Well, give a yell if you see anything."

"I will."

With that, Konrad began to make his way aft. He nodded to the various crew members as he passed them, and then clambered up the ladder to the sloop's sterncastle. There he found Uriel manning the whipstaff, under Horace's direction. The latter, a human, was consulting his book of charts.

Horace shook his head, resigned. "We're too close to the reef to risk sailing blindly; we could lower a boat and try towing us."

The half-orc helmsman nodded. "It's hard working, but it beats just sitting here."

"Okay, then." Horace stepped up to the railing and cupped his hands to his mouth. "All hands--"

He froze as a shadowy form materialized out of the mist--a ship, the deck of which was swarming with pirates.

"Battlestations!" Horace yelled.

The crew of the Endeavor rushed to respond. Some bolted down the stairwell to the cargo hold and soon after began passing up weapons. Uriel let go of the whipstaff and jumped down to the main deck, drawing his greatsword as he did so. He began slashing at the ropes attached to grappling hooks which rained down from the attacking vessel, but he could not keep up with the pace of the onslaught. Horace grabbed the helm and tried to turn away from the enemy, but it was no use; the pirates heaved on their lines, pulling the two ships together.

From his position at the bow, Maximillian bolted for the mainmast and scampered up it. A moment later he was joined by Lucinda, the half-elf sorceress. The halfling helped himself to her crossbow and started sniping at foes, while she began raining fiery offensive spells down upon them.

Horace, meanwhile, gave up on steering and raced to join Uriel, as did Konrad. The three of them stood with their backs to one another, ready for the assault.

When the two ships bumped together, the pirates leaped aboard the Endeavor, brandishing their cutlasses. The air rang with the clashing of steel as the crews went to battle.

In the middle of the melee a hulking figure came striding over the ship's railings, an ogre who carried a length of chain with an anchor hanging from it. He surveyed the fray for a moment, and then his eyes settled upon the dwarf, human and half-orc. With a sound somewhere between a laugh and a growl, he started spinning his weapon and advanced toward them.

Uriel let loose with a roar and charged the ogre. Before he could close the monster lashed out with his anchor chain, entangling the half-orc, and then dragged him off of his feet. Horace and Konrad moved to flank him, but he kept them at bay with a flurry of swings. Then, looming over Uriel, he readied himself for a killing blow.

That was when Maximilliam sprang into action, leaping from his position of safety. The halfling landed on the sterncastle railing, where he snatched up the mounted swivel gun, and vaulted from there to the main deck. He rolled to his feet and stepped in behind the ogre, whose eyes went wide. Then Max set a tindertwig to the fuse.

There was a puff of smoke, but nothing else happened.

"Misfire," the ogre snarled.

"Not quite," Lucinda declared. Then she muttered a quick incantation.

Something happened inside the swivel gun, and Maximillian tried the fuse again. This time it erupted with a blast that sent the ogre sprawling to the deck. Recognizing a chance to turn the tide of battle, the five adventurers threw themselves back into combat.

New Spells

The following spells are intended for use in any nautical fantasy campaign setting that includes firearms.

Fog Shroud

School conjuration (creation); Level druid 4, sorcerer/wizard 4

Casting Time 1 standard action

Components V, S

Range medium (100 ft. + 10 ft./level)

Targets one vessel

Duration 10 min./level

Saving Throw none; Spell Resistance no

This spell functions in the same manner as a fog cloud spell, except that it creates a bank of fog large enough to conceal a sailing vessel.

Reload Artillery

School conjuration (creation); Level sorcerer/wizard 3

Casting Time 1 move action

Components V, S, F (catapult stone, ballista bolt or cannon ball and powder)

Range close (25 feet + 5 feet/2 levels)

Targets weapon chosen

Duration instantaneous

Saving Throw yes (optional); Spell Resistance no

This spell functions in the same manner as the reload firearm spell, except that it applies to an artillery piece such as a ballista or cannon. As such, it requires either a catapult stone, a ballista bolt or spear, or a charge of gunpowder and a cannon ball as the focus for casting it.

Reload Artillery, Mass

School conjuration (creation); Level sorcerer/wizard 6

Casting Time 1 move action

Components V, S, F (catapult stone, ballista bolt or cannon ball and powder)

Range close (25 feet + 5 feet/2 levels)

Targets 1 weapon/level, no two of which may be more than 30 feet apart

Duration instantaneous

Saving Throw yes (optional); Spell Resistance no

This spell functions in the same manner as the reload artillery spell, except that it applies to as many weapons as fit within the designated parameters.

Reload Crossbow

School conjuration (creation); Level sorcerer/wizard 1

Casting Time 1 move action

Components V, S, F (crossbow bolt)

Range close (25 feet + 5 feet/2 levels)

Targets weapon chosen

Duration instantaneous

Saving Throw yes (optional); Spell Resistance no

This spell reloads one crossbow or similar weapon. It causes the weapon to become cocked and ready to fire, with an ordinary projectile of the appropriate size loaded in it. The projectile and arrangement remain indefinitely until used.

Reload Crossbow, Mass

School conjuration (creation); Level sorcerer/wizard 4

Casting Time 1 move action

Components V, S, F (crossbow bolt)

Range close (25 feet + 5 feet/2 levels)

Targets 1 weapon/level, no two of which may be more than 30 feet apart

Duration instantaneous

Saving Throw yes (optional); Spell Resistance no

This spell functions in the same manner as the reload crossbow spell, except that it applies to as many weapons as fit within the designated parameters.

Reload Firearm

School conjuration (creation); Level sorcerer/wizard 2

Casting Time 1 move action

Components V, S, F (bullet and powder)

Range close (25 feet + 5 feet/2 levels)

Targets weapon chosen

Duration instantaneous

Saving Throw yes (optional); Spell Resistance no

This spell functions in the same manner as the reload crossbow spell, except that it applies to a gunpowder weapon. As such, it requires a charge of gunpowder and a bullet as the focus for casting it.

Reload Firearm, Mass

School conjuration (creation); Level sorcerer/wizard 5

Casting Time 1 move action

Components V, S, F (bullet and powder)

Range close (25 feet + 5 feet/2 levels)

Targets 1 weapon/level, no two of which may be more than 30 feet apart

Duration instantaneous

Saving Throw yes (optional); Spell Resistance no

This spell functions in the same manner as the reload firearm spell, except that it applies to as many weapons as fit within the designated parameters.

Happy Anniversary!

To mark the fourth anniversary of this blog, here's a link to the compiled PDF with this year's articles.

The Logbook Volume 4 (2013)

-Nate